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A performance about a world gradually diminishing, dedicated in memory of a lost forest. A performer on stage creates an ever-changing landscape using natural and man-made materials, and invites you to look at how fragile and temporary the world has become.

Δημιουργείν (Create) deals with the effort to understand this phenomenon, that is, to create. This performance is the result of a research intention regarding the evolutionary process of production as well as the driving force of the producer.

How many surfaces do we go through as human beings in our everyday life? The performance deals with the human desire and need to create groups, to belong and to adjust in those.

Brecht tries to take us away from the primary and instinctive reaction to the issue of paedophilia. He suggests us to approach the mother–killer man, through sensitivity, understanding and humanity.

The artist Lenia Georgiou leaded Fief, a group performance in the only place where Greek Cypriots and Turkish Cypriots can meet, see each other, talk to each other, perform together.

In the first summer of the Sars-Cov-2 pandemic, the Republic of Cyprus closed de facto the access to and from the North of the island, despite they recognise the people living there as their citizens and the very low spread of the virus in that permanently isolated world.

By establishing the body’s presence within the space and time of the spectator as the workshop’s central axis, participants came in conversation with the image, the object and the relational connections that are produced, in order to expand their mode of practice into a new vocabulary of tools, values and notions provided by the field of performance art.

With numb bodies and uncertain looks, we discovered new parts of ourselves, we looked for new ways to create. By exchanging conventional, expected bodily moments, recognizing and breaking the conveniences of bodies, placing dancers in more difficult stories that did not belong to them,

Like a novel’s first paragraph, facial expressions always give clues about a performance. A dancers face is without a doubt the most powerful tool to convey personality, to add nuance to a role and develop a deeper connection with the audience.

Cyprus is the centre of the Mediterranean, a lost continent submerged by a new geopolitics, just as water had covered Atlantis.

Reactivate – Nicosia Art Fair is an initiative which aims to bring local artists together, and collectively create a space to host expression and creativity in its various forms. Vision is to bring art closer to the public, in an alternative structure that distances itself from the formal way of exhibiting art.

Theatres were closed during the Sars-Cov-2 pandemic. How is the experience of an actress not having access to her world? Theatre is entertainment for someone, culture for others, life for players.